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The Friedkin Connection: A Memoir, by William Friedkin
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Review
“Entertaining. . . . This memoir is at its most engrossing when describing the solid, unpretentious entertainments its author once made so well.” (Wall Street Journal)“Hardcore film geeks will salivate over this time capsule from a grateful and still-brilliant legend.” (Booklist)“For aspiring directors, a glimpse into the school of hard knocks, but there’s plenty of good stuff, lean and well-written, for civilian film fans, too.” (Kirkus Reviews)“Friedkin’s book does the unthinkable: It relates the behind-the-scenes stories of his triumphs but also sees Friedkin take responsibility (brutally so) for his wrong calls. . . . He captures the gut-wrenching shifts of a filmmaker’s life.” (Variety)“Movie fans will celebrate the natural storyteller at work in the pages of The Friedkin Connection, a welcome reminder that it takes so much more than talent to make a movie - and to keep making them.” (Associated Press)“Friedkin’s memory for the process of filmmaking elevates this book above the usual score-settling Hollywood memoir; film buffs will be pleased with what he offers here.” (Publishers Weekly)“Friedkin’s against-all-odds success story is compelling reading from the start.” (LA Weekly)“Filled with insights into the art of film and its practitioners and honest assessments of his work--and the work of others in the film industry--this is terrific stuff. After reading it, you’ll be anxious to see all the Friedkin movies you’ve missed.” (Shelf Awareness)“A fascinating appraisal - and a reminder of how much of a maverick Mr. Friedkin has turned out to be, willingly or otherwise.” (Janet Maslin, New York Times)“Even in print, Friedkin still knows how to thrill.” (NY1.COM, "The Book Reader" review)
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From the Back Cover
With such seminal movies as The Exorcist and The French Connection, Academy Award-winning director William Friedkin secured his place as a great filmmaker. But his own success story has the makings of classic American film. He was born in Chicago, the son of Russian immigrants. Immediately after high school, he found work in the mailroom of a local television station, and patiently worked his way into the directing booth during the heyday of live TV. An award-winning documentary brought him attention as a talented new filmmaker and an advocate for justice, and it caught the eye of producer David L. Wolper, who brought Friedkin to Los Angeles. There he moved from television (one of the last episodes of The Alfred Hitchcock Hour) to film (The Birthday Party, The Boys in the Band), displaying a versatile stylistic range. Released in 1971, The French Connection won five Academy Awards, including Best Picture and Best Director, and two years later The Exorcist received ten Oscar nominations and catapulted Friedkin's career to stardom. Penned by the director himself, The Friedkin Connection takes readers on a journey through the numerous chance encounters and unplanned occurrences that led a young man from a poor urban neighborhood to success in one of the most competitive industries and art forms in the world. From the streets of Chicago to the executive suites of Hollywood, from a passionate new artistic life as a renowned director of operas to his most recent tour de force, Killer Joe, William Friedkin has much to say about the world of moviemaking and his place within it.
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Product details
Paperback: 512 pages
Publisher: Harper Perennial; Reprint edition (April 1, 2014)
Language: English
ISBN-10: 0061775142
ISBN-13: 978-0061775147
Product Dimensions:
6 x 0.8 x 9 inches
Shipping Weight: 15.2 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
86 customer reviews
Amazon Best Sellers Rank:
#735,915 in Books (See Top 100 in Books)
I thought this was a great memoir. Friedkin writes well. He keeps a good pace and rhythm. Reading it was effortless and kept me up until dawn two nights in a row.Not that I'd would've wanted to hang out with him (or he me!). Unpredictably explosive people make me nervous. But I loved his honesty. He admits to being difficult, having a bad temper, being arrogant, thinking he could do no wrong.I adored his beginnings in Chicago because I grew up in Chicago. It's always fun to read about people and places you know. I went to school with Red Quinlan's daughter, etc. I was riveted to the entire story of his first documentary (Crump). (By the way, Friedkin refers to the Chicago police habit in the 60's to beat confessions out of people. I dated a Chicago cop briefly in the late 90's. He told me they beat up prisoners - black prisoners specifically - for no reason at all. I stopped dating him. Of course there are good Chicago cops, but such treatment hasn't stopped as far as I know. Not to be incendiary or anything.)It was great fun to read about behind the scenes of The French Connection and The Exorcist. I was surprised to know he directed operas. He made that interesting, too, although it's not something I'm into.I liked that he eventually was willing to re-evaluate the portions of The Exorcist that he edited out, which Blatty was upset about for decades although I agreed with Friedkin's original take on it and don't think adding in those parts help the movie. To each his own. But it's a great thing to be less rigid.Highly recommended.
I've been a huge fan of film director William Friedkin since first seeing his Academy Award winning blockbuster "The FrenchConnection" when it was released on the big screen back in 1971. I was blown away by the look, style, editing, and music inthe picture along with the incredible elevated train/car chase that was the centerpiece of the film. After his horror-shocker "TheExorcist" came out in 1973, he and Stanley Kubrick became my favorite directors. I made it a point to see everything Friedkinhad directed and would direct in the future. The man is a genius at his craft. I couldn't wait to read "The Friedkin Connection"when it was published and it didn't disappoint. From his early childhood in Chicago to his tough breakthrough as a filmmaker,the book from his point of view is simply marvelous. His writing flows in a very accessible, yet detailed manner that leaves youfascinated. I'd always wondered how he pulled off some of his cinematic magic with not only "The French Connection" and "TheExorcist" but also with "Sorcerer" and "To Live and Die in L.A.". William delivers the goods on these and all of of his other work,including the VERY controversial gay shocker "Cruising" from 1980, with which Friedkin had a difficult time with star Al Pacinobecause of the film's themes. The book provides more than enough proof that even early on as a documentary maker, Williamwas never one to back down from a challenge or anybody who impeded his unique style. On "Sorcerer", star Roy Scheider toldFriedkin he should stop firing so many people "because he was tired of having to take them to the airport and saying goodbye."At the same time, Friedkin reveals himself in the book as being genuine, considerate, and truly concerned with his art and thosewho worked with him. In Peter Biskind's percipient 1998 bestseller "Easy Riders, Raging Bulls", one Hollywood producer stated,"Billy was a tough critter. He didn't give a f*** about anybody else that walked the face of the earth. He was a guy, you'd knownhim for thirty years, saved his ass by putting together the deal, he'd turn to you and say, 'Get off the set.'" I read "The FriedkinConnection" in three nights and found it a fabulous insight into one of Hollywood's most legendary, uncompromising, & talentedartists. An outstanding memoir.
Well written and interesting professional memoir from a lauded director who has certainly had his share of ups and downs, hits and misses. Fascinating details of the perils and rewards of moviemaking are coupled with some humor and humility in just the right amounts. Very few personal details of Friedkin's life are included, which he acknowledges near the end of the book, but those no doubt would have doubled the length of the book and been less interesting to film enthusiasts, however juicy or salacious. As it is, the book is focused and sufficiently detailed to satisfy fans or those who need to catch up with Friedkin's laudable body of work, with two certified classics: The French Connection and The Exorcist.
Exorcist is the scariest movie I ever saw. The French Connection one of the best crime movies ever. Live and die in LA one of the most under rated. Friedman directed all of them. His autobiography, very well, and not ghost , written tells how he made these films. Fascinating stuff and highly reccommended.
Then this book is for you! It's a superb story of Friedkin's rise from lowly TV station floor manager to the heights of Hollywood power.He's the director of The French Connection and The Exorcist, both of which were major new approaches to film-making in hide-bound Tinsel Town. He delves slightly into the techniques and methodology used in creating both films, and the story is fascinating. Friedkin went places where no previous director had even considered adventuring. He saw the pinnacles of glory in his career...followed by long-term creative drought and despair, then new stories came along that brought back the accolades. He makes one thing very clear in his memoir -- it takes raw guts to be one of Hollywood's top directors.
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