Free Ebook As the Crow Flies, by Melanie Gillman

Free Ebook As the Crow Flies, by Melanie Gillman

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As the Crow Flies, by Melanie Gillman

Free Ebook As the Crow Flies, by Melanie Gillman

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Review

Heartfelt, stimulating, and sure to spark discussion about feminism's often less than inclusive attitudes toward marginalized groups. For all graphic novel collections. (Mahnaz Dar As the Crow Flies by Melanie Gillman | SLJ Review)Over the course of the last several years, Iron Circus Comics has earned a legion of fans and a slew of critical successes by publishing books that appeal to readers who don’t often find themselves represented in the pages put out by traditional publishers. Owner C. Spike Trotman began her company with female- and LGBTQIA-friendly erotica anthologies called Smut Peddler, and the vast majority of the books she puts out continue in that vein, though not all of them have contained erotica. Many of the books are print versions of successful webcomics, bringing the work to an even larger population and creating a strong symbiotic relationship between Iron Circus’ fans and those of the webcomics. Trotman’s strategies are too successful to be ignored, and her business is one of the best examples of how the industry must change to survive. As The Crow Flies is one of the three books Iron Circus funded this year, and the first to reach readers. It collects the first volume of Melanie Gillman’s excellent webcomic of the same name, a story about an all-girls sleepaway camp and the troop who goes there one summer. The focus is on Charlie, a 13-year-old who feels out of place at the overtly religious and adamantly female-focused camp, isolated from everyone else by race, orientation, and the fact that Charlie clearly has a better understanding of what feminism is than most of the adults running the place. It’s an emotional and intimate comic, restrained in many ways and deeply personal, with a backdrop of stunning mountain vistas. Gillman’s remarkable skill at portraying the way that microaggressions and small slights can quickly escalate to create an environment that’s emotionally crushing and dangerous is something that is hard to find anywhere else. There are comics, especially webcomics, that portray otherness well, but what sets Gillman’s work apart is their ability to show how we are othered by the people in our lives, and how that creates anxiety and isolation that can be nearly impossible to overcome, especially for young people. Charlie is a complicated, nuanced, and sympathetic protagonist, and this year Gillman added “Pockets” to their website, a short comic about Charlie’s friend Tilly, creating even more emotional weight and investment as they expand Charlie’s world. Alone, that emotional depth would make Gillman’s work well worth picking up. What makes As The Crow Flies even better is the art. Characters are drawn simply, but without feeling cartoonish or overblown. Expressions and body language are real and weighty instead of outsized. The characters range in shape and size in the way real teen and tween girls do, and it gives the whole book a sense of reality that’s needed to underpin all that emotional weight. Gillman works almost exclusively in colored pencils, and in an age when many comics are drawn digitally it lends texture and color to the art that’s hard to find in most comics. Plant life looks lush and alive, rocks and dirt solid. Gillman doesn’t shy away from showing the effort that goes into hiking up a mountain, but they also make sure that readers understand why so many people do it: the views make it worthwhile. As The Crow Flies certainly isn’t the only comic about summer camp, but it is one of the only ones that’s honest about how much summer camp can suck, how much being a teenager usually sucks, and how much being from a group that’s marginalized and forgotten only makes the teenager part suck more. It’s a story that embraces the truth of how bad things can be without abandoning kindness, and that’s something comics could use a lot more of. (Caitlin Rosberg As The Crow Flies examines marginalization and how much summer camp can suck in equal measure)This book radiates love and melancholy in equal measure. (As the Crow Flies)Gillman's lush, warm artwork, rendered entirely in colored pencil, brings the gorgeous scenery lovingly to life. The soft, luminous scenes of the mountains and nature emphasize the enormity of Charlie's undertaking, both spiritually and physically, and her interactions with the other people on the trip, from snickering over outdated concepts with Sydney to bringing up uncomfortable topics with adults, are nicely paced and expressive. (Sarah Hunter As the Crow Flies)"As The Crow Flies" certainly isn't the only comic about summer camp, but it is one of the only ones that's honest about how much summer camp can suck, how much being a teenager usually sucks, and how much being from a group that's marginalized and forgotten only makes the teenager part suck more. It's a story that embraces the truth of how bad things can be without abandoning kindness, and that's something comics could use a lot more of. (As The Crow Flies examines marginalization and how much summer camp can suck in equal measure)Collecting Melanie Gillman’s continuing and multiple award-nominated webcomic in a first volume, As the Crow Flies was successfully crowdfunded earlier this year and brought to print by Iron Circus comics. The book follows a week in the life of queer 13-year-old Charlie Lamonte at Camp Three Peaks – a rural Christian retreat where teenage girls follow in the footsteps of a group of 19th century pioneering women by retracing their annual all-woman pilgrimage. The only black member of the trip, Charlie’s already faltering religious convictions are put to the test as the week progresses. While the rigid traditions and spiritual dogma of the hike become more and more questionable Charlie finds a supportive presence in fellow camper Sydney and they both begin to challenge the ideals of the camp that the others take for granted. Gillman’s greatest strength as a storyteller is their ability to bring us so fully into Charlie’s perspective, underlining the unconscious bias and exclusionary behaviour she is forced to deal with throughout her backpacking trip. That sense of marginalisation is sometimes overt – an early sequence where a hike leader obliviously talks about “whitening our souls” for example – while on other occasions it’s depicted more subtly but no less effectively in visual terms, with Charlie often portrayed on-panel as spatially isolated even within her peer group. In Sydney, Charlie finds a confidante who allows her to more directly examine the doubts she has about her place at the camp. An event that was supposed to be a celebration of liberation and inclusivity slowly begins to reveal itself as one steeped rather in privilege and exclusivity, and the pair find themselves united in a common cause. Characterisation is delicately observed – both visually and through the book’s employment of naturalistic dialogue (particularly in a latter scene where the girls discuss the assignation of a gender to God) – ensuring audience investment in the characters as we too react to events through their eyes. Gillman’s panel-to-panel storytelling emphasises a sense of place through the frequent intermittent multi-page scenes of the group traipsing through the stunningly beautiful countryside. There’s a pacing here that asks the reader to slow down their reading speed and immerse themselves in each single, evocatively coloured panel, creating a sense of lingering time as each day of the hike passes. Frequent changes in perspective remind us of the majesty of the sprawling terrain the group are traversing. Gillman’s command of the pure language of comics, though, adds so many extra thematic layers to the book. The recurring and significant motif of a floating feather falling through individual images in an early sequence, for example, or their use of speech balloons and panels to zoom in and out and highlight Charlie’s feelings of detachment even when she’s in the company of others. There’s a particularly effective run of pages towards the end of this volume that place smaller panels within panels to signify the bustle of activity from the rest of the hikers while ensuring our focus remains on Charlie. It leads into a number of pages of varying panel sizes that play with our conceptions of time passing and between-the-panels comprehension to powerful effect. Most importantly, though, this is a book that, as the Kickstarter promotional material pointed out, can now be found in print by the “real Charlies and Sydneys of the world” and one that, in microcosm, speaks to us all about the unconscious biases and entrenched inequalities that permeate every strata of our societal structures. Gillman’s story continues here online but this first print collection will hopefully ensure the story reaches the even wider readership it deserves. (Andy Oliver Broken Frontier)Gillman’s brutally honest and wrenchingly beautiful story of friendship explores the simultaneous pain and joy of being young and queer. On Charlie’s first day at a Christian sleepaway camp for girls, she sees what she believes to be a sign from God, but she has a crisis of faith after she discovers she’s the only black girl in attendance and the camp staff start treating her badly. Their cruelty only grows worse during her group’s hike to a centuries-old ceremonial retreat in the mountains. On the way, Charlie meets Sydney, a transgender girl who’s just as fed up with their privileged counselor and oblivious peers, and the two band together for support during the emotionally and physically grueling ordeal. The book is unflinching in its examination of how solidarity among white, cisgender women can harm others. Charlie’s pain is palpable, as are Sydney’s alienation and fear, producing a story that’s as resonant for marginalized readers as it is enlightening for those it critiques. Throughout, Gillman’s meticulously realized colored pencil landscapes remain impeccable. This book radiates love and melancholy in equal measure. (Nov.) (As the Crow Flies)When 13-year-old Charlie, a black, queer girl, embarks on a feminist Christian backpacking trip, she hopes it will deepen her relationship with God. The beautiful mountains they hike through certainly spotlight the majesty of creation, but Charlie’s the only black girl, and the hike leader’s whitewashed understanding of spirituality and feminism makes it hard to feel connected to a tradition so bound up with the history of white supremacy. Still, though, there are moments of grace: her new friendship and solidarity with Sydney, a trans girl keeping her identity a secret to avoid scorn; the attractive daughter of the group’s leader, who takes Charlie under her wing; and moments of quiet contemplation in a beautiful place. Gillman’s lush, warm artwork, rendered entirely in colored pencil, brings the gorgeous scenery lovingly to life. The soft, luminous scenes of the mountains and nature emphasize the enormity of Charlie’s undertaking, both spiritually and physically, and her interactions with the other people on the trip, from snickering over outdated concepts with Sydney to bringing up uncomfortable topics with adults, are nicely paced and expressive. With arresting artwork, this coming-of-age story, originally published as a webcomic, sensitively explores religion, spirituality, feminism, and friendship and perfectly balances thought-provoking moments with heartening humor. Perfect for anyone who loved Gene Luen Yang’s American Born Chinese (2007). ― Sarah Hunter (Sarah Hunter As the Crow Flies)Gr 6 Up –Charlie, 13, is excited to embark on an all-girls Christian camp’s backpacking trip. However, despite Camp Three Peaks’ commitment to feminism, head counselor Bee and many of the campers are unwittingly racist and homophobic, and Charlie, who is black and queer, grapples with self-doubt. She confides in God, wondering if a feather that follows her on her trek is a sign from above, and her spirits lift as she bonds with the more outspoken Sydney, a trans girl who feels similarly alienated. This contemplative graphic novel, taken from Gillman’s ongoing webcomic, perceptively explores race, gender, faith, and friendship. Elegantly composed, richly hued images vividly portray the lush forest setting and shy, thoughtful Charlie’s inner turmoil as she yearns to voice her opinions. Scenes in which she appears on the periphery of panels or crowded by the speech bubbles of her insensitive fellow campers adroitly capture her isolation. Gillman zeroes in on seemingly small yet achingly relatable moments as Charlie and Sydney’s friendship slowly develops. The book subtly folds in lessons about identity and the danger of assumptions; both girls learn and grow about each other, themselves, and the larger world. VERDICT Heartfelt, stimulating, and sure to spark discussion about feminism’s often less than inclusive attitudes toward marginalized groups. For all graphic novel collections.–Mahnaz Dar,School Library Journal (Mahnaz Dar As the Crow Flies by Melanie Gillman | SLJ Review)

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About the Author

Melanie Gillman holds an MFA in comics from the Center for Cartoon Studies, and currently lives in Denver, CO. This is their second all-colored-pencil graphic novel. Their first, Smbitten, is a lesbian romance about swing-dancing and vampirism.

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Product details

Paperback: 250 pages

Publisher: Iron Circus Comics (November 14, 2017)

Language: English

ISBN-10: 1945820063

ISBN-13: 978-1945820069

Product Dimensions:

5 x 0.5 x 8 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#198,937 in Books (See Top 100 in Books)

The story is slow starting out and the humor is very cheesy. To be honest, I didn’t fall in love with either of the main characters until about 3/4 of the way through the book. But now I’m hooked on these two and I can’t wait for the second volume. The artist’s style is very calming and I love how the entire comic book is in color.

Beautiful print of a comic I love - great size too, smaller and better-printed than I expected. Looking forward to part two!

This book is GORGEOUS, y'all. It started as a webcomic about Charlie's experience at a Christian backpacking youth camp. The book covers the first three days of camp, and the webcomic is currently on Day 4. I actually didn't know it was a webcomic until I hit the end of the book, went "Wait, what?!" and started poking the internet to see if there was a Volume 2. I did find part of Day 4 posted on the webcomic site, but the last comic was posted in June of 2017. I found statements that there is a Volume 2 planned on her Tumblr and elsewhere on the Internet, though.The main character, Charlie, is a queer black girl who's gone to a Christian summer camp. When she walks in, she discovers EVERYONE else is white, except one half-Native American counselor. She's immediately got her guard up, and when another counselor mentions "whitening their souls" as a metaphor for purification, her guard goes up further. I loved how her friendship developed with Sydney, another camper, and their conversations are HILARIOUS. They plan to disrupt the mysterious "ceremony" planned for when they reach the peak of the mountain, but they keep coming up with outlandish ideas like summoning pterodactyls or raccoons with palanquins and little driver hats. (You know those crazy conversations you come up with when you're exhausted!)Some of the Christian rhetoric in the book annoyed me, but it annoys Charlie, too, so I guess that's okay, or even intentional. There's a lot of White Feminism on display in the book; the tradition the camp follows relied on black women not participating and keeping homes running (read: being slaves) while the white women went off to their women's retreat. Charlie is understandably pissed about how nonchalant the head counselor is about that, too.The head counselor actually seriously rubs me the wrong way; at one point she tells one of the girls, who had sprained her ankle, that she only has enough supplies for one ankle injury, so if she uses it now, she won't have it for anyone else. Lady, if you only brought enough supplies for one sprained ankle, for like ten people on a week-long hike? That is YOUR problem, not the fault of the poor 13-year-old in pain in front of you. You should have planned better. The same thing with not having enough painkillers to spare for the poor girl who starts her period. I'm not sure if the head counselor is supposed to be an antagonist or not, but she sure seems that way.I really love Charlie and Sydney, and I really really want to see what the ceremony is and how they decide to disrupt it, so I will be keeping an eye out for the webcomic to start posting again, or for news of a Volume 2. And the art is, again, absolutely GORGEOUS. I will probably be looking for more of the author's work - she calls herself a "queertoonist" which is great! She's queer and nonbinary, by her Twitter bio. Which makes this an #ownvoices book as well, and perfect for Pride Month.

I feel like many people don't know about this book and it is SO amazing.It's summer and Charlies is spending a week in a Christian camp. The campers hike through the wilderness to connect with God and nature, a tradition that started many years ago by a group of village women. But the campers are all white and Charlie feels uncomfortable and scared as a black, queer girl. The thing is, Charlie has been conflicted about God and the camp is not helping; the other girls don't really understand her, the leader of camp is a white feminist, so clueless that makes her cringe. Everything is pretty awful until she meets another girl who also feels left out, uncomfortable and angry, Sydney. So maybe things won't go so terrible.The comic is wonderful; the art is beautiful and the story is so important. This story is not about Charlie's sexuality or learning about international feminism because Charlie already knows these things. She calls out every single racist microaggression and it is so beautiful seen her so confident about herself. As the Crow Flies is actually a story about faith, about her conflicted feelings about God.Something that I adore about Charlie and Sydney's relationship is that both of them have to learn and unpack privileges, which it is not only great to see (because every single one of us carries things to unpack) but also makes their friendship even more real and heartwarming. They are truly honest about their feelings, about who they are.Gillman's story is wonderful, it warmed my heart so much.Please, please read it.

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